Session Record, Arrangement Overdub, Metronome, Punch-In, Punch-Out, Nudgeĭown, Nudge Up and Tap Tempo can be controlled. The Crossfader and Cue / Preview Volume can be controlled. Track Mute, Solo and Selection can be controlled. The Device Activator button can be controlled.Īn unlimited number of Tracks can be controlled. Up to 16 encoders can be used for controlling Device Parameters. The position of the dragged lane is sustained to keep the visible resized dragged lane visible and avoid jumping.Īdded the following improvement to the functionality of User Remote Scripts: The vertical size of take lanes on linked tracks is now synced with a take lane that is being resized by dragging. Now the behavior when resizing adjacent take lane highlights is more consistent. Previously, unnecessary splits might be created on an Arrangement track’s main lane, when dragging the split line of adjacent highlights on a take lane. Before, Live used the take lane following the last take lane that did not provide enough space. When choosing a take lane for recording, Live now uses the first take lane that provides enough space. The play position is preserved, causing smooth playback of the waveform and respecting scheduled Follow Actions. The time ruler below the waveform will change to show the accurate amount of seconds in the waveform. It is now possible to fold / unfold a track’s additional automation lanes with the left / right arrow keys when that track’s main automation lane is selected. When reaching the end when navigating with the “Tab” / “Shift” + “Tab” or Arrow Up / Down keys while renaming tracks or clips in the Session or Arrangement View, the navigation now cycles to the beginning or end of the tracks or clips, similar to using “Tab” / “Shift” + “Tab” Pressing “Tab” / “Shift” + “Tab” while renaming an Arrangement clip now selects the next / previous clip on the same track or take lane. Before, this was only possible when track headers were selected. It is now possible to solo tracks with the “S” key and arm tracks with the “C” key when take lane headers or automation lane headers are selected. If you find that the complex interfaces of other DAWs are illogical and unreasonable, the simplicity and elegance of Ableton Live will definitely be at least a reason for you to give it a try, and eventually perhaps switch entirely to Ableton. While other DAWs on the market can seem cumbersome in comparison, Ableton Live’s interface is very intuitive to use. Simply put, Ableton lets you focus on what really matters: your music.Ībleton Live with a redesigned and more informative interfaceġ3 instruments (including Wavetable, Operator, Sampler, Analog and more)ĥ6 effects for audio and MIDI processing (including Echo, Pedal, Beat Repeat, Amp, Vocoder, Glue, and more)Įverything you need to get creative is includedĬreate your own effects and instruments with Max for Live What sets Ableton Live apart from the crowded market for sequencer and recorder software is its simple and innovative interface that uses 2 intuitive workflow modes. Ableton Live connects your acoustic, electronic and virtual instruments, as well as your digital audio recordings and MIDI sequences, together in one interface with unparalleled ease of use. It allows you to compose, record, remix, improvise and edit your musical ideas in an audio / MIDI environment. It is primarily a digital audio workstation (DAW) and should be judged as such. Ableton Live Suite is a revolutionary solution for music production.
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